We'll All Go Riding On A Rainbow (named after the Maurice Winnick song) is The Caretaker's 3rd album and the last in the so called "ballroom trilogy." Most songs on this album are super slowed down.
We'll All Go Riding On A Rainbow
Hoping For Some Kind Of Recognition
Faciebant x8
They did x8
-eht fO .gnos sih sngis thgiliwT .gnol era syad eht hguohT
.esoper dnif ll’I nehT .esolc lliw seye ym nooS .eb ot desu taht-
-ym ni uoy ees ll’I .em ot raen syawla er’uoy smaerd ni dnA
.smaerd ym ni uoy dloH .smaerd-
.mrahc ruoy fo llirht eht ,leef I llitS .smra ym fo tuo uoy-
-seye redneT .enim erew ecno taht spiL
-ees ll’I .thginot yaw ym ,thgil lliw yehT .eni-
.smaerd ym ni uoy-
smaerd ym ni uoy ees ll’I
.smaerd ym ni uoy dloh ll’I
.mrahc ruoy fo llirht eht ,leef I llitS .smra ym fo tuo uoy-
-seye nworb ytterp redneT .enim erew ecno taht spiL .mra-
-ll’I .thginot yaw ylenol ym ,thgil lliw yeht dnA .eni-
-ine. And they will light, my lonely way tonight. I’ll-
-arm. Lips that once were mine. Tender pretty brown eyes-
-you out of my arms. Still I feel, the thrill of your charm.
I’ll hold you in my dreams. Someone took-
I’ll see you in my dreams
-you in my dreams.
-ine. They will light, my way tonight. I’ll see-
Lips that once were mine. Tender eyes-
-you out of my arms. Still I feel, the thrill of your charm.
-dreams. Hold you in my dreams.
And in dreams you’re always near to me. I’ll see you in my-
-that used to be. Soon my eyes will close. Then I’ll find repose.
Though the days are long. Twilight signs his song. Of the-
-rant, de longe steterunt, et vim faciebant qui quaerebant animam meam.
They stood afar off, and did violence to those who sought my soul.
.eid atot meramalc mud ,aem asso tnurevaretevni ,iucat mainouQ
.sulod suie utirips ni tse cen ,mutaccep sunimoD tivatupmi non iuc ,riv sutaeB
.ataccep tnus atcet murouq te ,setatiuqini tnus eassimer murouq ,itaeB
Beati, quorum remissae sunt iniquitates, et quorum tecta sunt peccata.
Beatus vir, cui non imputavit Dominus peccatum, nec est in spiritu eius dolus.
Quoniam tacui, inveteraverunt ossa mea, dum clamarem tota die.
.gnol yad lla tuo deirc I elihw yawa detsaw senob ym ,tnelis tpek I esuaceB
.tieced on si tirips esohw ni dna ,nis etupmi ton seod droL eht mohw ot nam eht si desselB
.derevoc era snis esohw dna ,nevigrof era seitiuqini esohw esoht era desselB
Blessed are those whose iniquities are forgiven, and whose sins are covered.
Blessed is the man to whom the Lord does not impute sin, and in whose spirit is no deceit.
Because I kept silent, my bones wasted away while I cried out all day long.
Mei et proximi mei adversum me appropinquaverunt et steterunt; et qui iuxta me e-
My friends and my neighbors have drawn near and stood against me; and those who are near me have-
Sometimes I wonder why I spend
The lonely nights dreaming of a song
The melody haunts my reverie
And once again I'm with you
When our love was new
And each kiss an inspiration
Ah, but that was long ago
Now my consolation is in the stardust of a song
Beside a garden wall when stars were bright
You were in my arms
The nightingale tells his fairy tale
Of paradise where roses bloom
Though I dream in vain
In my heart it will remain
That stardust melody
The memory of love's refrain
I Saw Your Face In A Dream is a super slowed down version of the first 37 seconds of Dreaming A Dream by Ray Noble from the album "The Dance Band Years."
The Self Titled (S/T) song samples Love Locked Out by Ray Noble (2:30 - 2:32) from the album "The Dance Band Years". It loops 16 times. It is reused in Hidden Minimal Sea and the Primavera Live Performance.
That Old Feeling and And The Bands Played On both sample In A Monastary Garden by Jesse Crawford from the album "The Best Of Jesse Crawford". That Old Feeling uses 0:00 - 0:37, while And The Bands Played On uses 3:36 - 3:47 and loops 4 times. And The Bands Played On's name takes from the album that's cover is used for this album (see below)
The Weeping Dancefloor uses The Japanese Sandman by Paul Whiteman (0:29 - 2:55) from the album "Paul Whiteman Volume 1". It is reused in Recollected Memories From The Museum Of Garden History. Despite popular belief, it is NOT sampled in Post Awareness Confusions 1 & 3, the actual song used is "I'm Just A Vagabond Lover" by Chester Gaylord.
Driven Beyond The Limits. Here I Am Broken Hearted, Hoping For Some Kind Of Recognition, & Unmasking At Midnight all sample Penitential Psalms 1-8 by Simon Preston. Driven Beyond The Limits used 4:27 - 4:29 and loops 8 times. Hoping For Some Kind Of Recognition uses 1:40 - 3:26 in reverse. Unmasking At Midnight leaves where Hoping left off, using 3:26 - 4:03, Here I Am Broken follows the same trend, using 4:03 - 4:43. This song is in Latin. Also, Here I Am Broken Hearted is reused in Synapse Retrogenesis, A Brutal Bliss Beyond This Empty Defeat, and the 2019 mix.
The Memory Of A Song samples I'll See You In My Dreams by Cliff Edwards. from the album "I'm A Bear In A Lady's Boudoir". This song is special as it is reversed in ≈10 seconds intervals, ≈ cause it can range from 9-11 seconds.
Under A Warm Golden Light uses Melody No. 1 by Maurice Winnick from the album "Maurice Winnick And His Sweet Music". It uses 0:10 - 1:35. 0:10 - 0:25 is more famously used in another Caretaker song...
Roll Up The Carpet And Dance uses Oceans Of Time by Ray Noble from the album "The Dance Bands Years". It uses 0:01 - 0:48.
Contemplation samples ONE NOTE around the 3-4 minute mark in The Dream Of Jacob by Krzysztof Penderecki from the album "Matrix 5". The note is used like a instrument, being played at different pitches and speeds throughout the song. This song is used in Recollected Memories From The Museum Of Garden History and Entanglement Synapse Ache, which is used in the weirdcore live performance, the french live performance, Post Awareness Confusions 2, all stage 5 songs except Advanced Plaque Entanglements 1, and A Brutal Bliss Beyond This Empty Defeat.
Faith In Time uses The Boy Next Door by Paul Renard from the album "The Many Keyboards Of Paul Renard". It is reused in the french live performance, Advanced Plaque Entanglments 2, and A Brutal Bliss Beyond This Empty Defeat.
We Have Been Here Before uses The Last Rose Of Summer by Jesse Crawford from the album "The Best Of Jesse Crawford". It is used in Internal Unravel, which is used in A Brutal Bliss Beyond This Empty Defeat.
Stardust uses Stardust by Marjorie Stedeford from the album "The Six Swingers: 1934-1935". It's reused in the weirdcore and french live performances.
So remember how I mentione And The Bands Played On? You saw it used in the previous album. Well, it's album art is used here, but inverted! Let me show you.
Here is the regular cover.
Here's the original. 
Now, let's invert the cover of the album! 
What about the other way around> 
Good stuff. What about this image? 
It just is a blue version of a image of Billy Cotton and his band! 
Hey wait a second... 
Didn't we see these images before? 
Oh yeah, it comes from here! 
Here's some images of the cd.
